Abstract
At Wanping, around 50 kilometres from the centre of Beijing, the shots that began the eight-year war between China and Japan were fired in 1937. On the site there now stands the Memorial Museum of the Chinese People’s War of Resistance to Japan (the museum’s own translation of its title, Zhongguo renmin kang-Ri zhanzheng jinianguan). Inside, a wide array of materials is displayed, but among the most prominent are the waxwork diorama reconstructions of Japanese atrocities against the Chinese. One such display shows a Japanese scientist in a white coat, intent on carrying out a gruesome bacteriological warfare experiment, plunging his scalpel into the living, trussed-up body of a Chinese peasant resistance fighter. But just in case this is not enough to drive the message home, the museum designers have added a refinement: a motor inside the waxwork of the peasant, which makes his body twitch jerkily as if in response to the scalpel, an unending series of little movements until the switch is turned off at closing time.
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